Industria Textil e do Vestuário - Textile Industry - Ano XVI
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Então dê uma olhada nessa lista - Indústria Têxtil no que tem de melhor
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tarun tahiliani. love the use of ethnic hand blocked prints for couture.
Evening dress by the House of Dior (designer: Yves Saint Laurent), fall/winter 1958–59
Iris van Herpen, Haute Couture Spring/Summer 2012. #Iris van Herpen #Haute Couture #Spring/Summer #2012 #Details
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Detailing of a German (Leipzig) baldric by Hans Erich Friese, c.1620
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Woman's embroidered jacket (English, about 1610–15, with later alterations). Undyed linen embroidered with silver and gilt-silver yarns (silk and metallic) and spangles in daffodil scroll pattern, trimmed with metallic lace. Reconstructed with non-matching linen ground.
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Worth & Bobergh gown detail Worth & Bobergh Evening gown, 1861 Silk satin, silk ribbon, handmade "Point de Gaze" lace Charles Frederick Worth and Otto Bobergh founded Worth & Bobergh in Paris in the fall of 1857 or 1858. In 1860, the business appeared in the local trade directory under “couturiers et nouveautés confectionnées” (designers and prepared novelties). By the 1870s, Bobergh was no longer involved with the company, and the House of Worth was well established as the arbiter o...
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1745-1750; altered 1770; Britain; Silk brocaded with silk and silver gilt threads, stomacher trimmed with silver-gilt lace and silk flowers, bodice lined with linen, sleeves lined with silk, reproduction neck ruffle
“Mandarin” coat, Paul Poiret, French ca. 1923. Black wool twill with chain-stitch embroidery of chrysnthemum, bird, and wave motifs. (c) The Kyoto Costume Institute; photo by Richard Haughton.
Black velvet cape, beaded and embroidered in an Art Nouveau floral motif, ca. 1895.
Lanvin hooded lace/tulle cape with gold sequins and embroidery, c.1930. Label: "Jeanne Lanvin/Paris/22.Faubourg St. Honoré."
Astounding detail: Palmyre Couture jeweled strapless evening gown designed by Christian Dior, 1952
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My love of the big dramatic dress comes from movies about European royal intrigue (not Disney movies). What's more dramatic than dressing like Queen Elizabeth I ?
Petticoat Date: ca. 1780 Culture: French Medium: silk, metallic thread, linen Dimensions: Length at CB: 40 3/4 in. (103.5 cm) Credit Line: Catharine Breyer Van Bomel Foundation Fund, 1978 Accession Number: 1978.63.2
Lace collar possibly cut loose from a camicia or a linen partlet (there are still linen strips in the bottom half, Venetian ca. 1610 (Rijksmuseum, Amsterdam
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Court Ensemble Ca. 1900 “When the Empress wore cloth of gold (generally only at their coronation), the Grand Duchesses could wear cloth of silver. As most Empresses preferred cloth of silver (it was more flattering, and far less heavy), the Grand Duchesses rarely had the opportunity to wear it except at their weddings, when it was required. For other occasions, the Grand Duchesses wore velvet gowns in a color of their choosing, which was reserved for their exclusive use.”
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---> http://pinterest.com/katrynna/it-s-all-in-the-details-and-textiles/
Queria eu!
LOKL (Lots of Luck)
Silvia
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Comentário de silvia borges em 25 abril 2012 às 11:55
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Me reinforçou no que é ser genial, e como devo ser humilde!
Se eu fosse professora de moda, daria 3 de cada um desses links para meus estudantes pesquisarem e escreverem uma dissertação sobre tudo que encontraram - quem fez, quem usou, quem fotografou, quem modelou, a quem pertence hoje em dia - quando foi feito, como foi feito, aonde foi feito, que materiais foram usados - porque é especial, o que o estudante gostou na peça e o que não gostou e porquê - e como isso inspiraria o estudante num projeto dele/dela.
Note que deixei os links abaixo das fotos - - - =)
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Comentário de Gild Helena Mercadante em 25 abril 2012 às 8:00
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Muito lindoooooooooooooo!!!
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Miranda Grealy the detail is spectacular. I would love to know how it is you go about creating something like that!